Studio Pics, Gear, & Audio Samples
Gear & Software
* Pro Tools Studio Multitrack Software
* MAC Studio computers with M1 processing
* External SSD Glyph Hard drives
* Universal Audio Apollo Gen 2 controllers with extension satellites
* Two Steven Slate Raven control surfaces for mixing and editing
* Focal Solo6 Powered Studio Monitors
* Fractal Audio Axe FX III guitar processor
* Guitars by Fender, Gibson, Charvel, and Taylor
* Plugins by Universal Audio, SSL, Waves, Plugin Alliance, Eventide, Melodyne, Steven Slate, Toontrack, and many more
* Microphones by Neumann, Shure, and many more.
* Headphone mix and microphone feeds for recording vocals and instruments in separate room
* Acoustically controlled environment with bass traps ensuring your project will translate outside the studio.
Audio Samples
Rock (COMING SOON)
“Wake Up” is a song written by Michael Ridenour and Jeremy Abee. Michael performed all guitars and programmed the drums, bass, and keyboard tracks. Jeremy performed all vocals. Mixing and vocal tuning were performed by Michael Ridenour. Sage Audio in Nashville, Tennessee, was responsible for the mastering.
Pop
“They Call It Falling” is a song written by Amy Bouman and is a remix of her 2025 single. Brett Ensley in Greenville, SC programmed all of the drum, bass, keyboard, and synth tracks, while various musicians performed on guitar. Michael Ridenour mixed the track, tuned the lead and background vocals, and Sage Audio in Nashville, Tennessee, performed the mastering.
Smooth Jazz (COMING SOON)
“What Child Is This?” was arranged by Carol Nethen West and is a remix of a track from her “Christmas Carol” CD, released in 2020. Michael Ridenour programmed all the drums and bass guitar, performed rhythm guitar, and mixed the track. Sage Audio in Nashville, Tennessee, performed the mastering.
Classical
“La Rosa,” composed by Mauro Giuliani, is from the album “Italian Romantic Music of the Early 19th Century,” performed by Dr. Douglas James on a 19th-century classical guitar. This track was recorded by Michael Ridenour with two Neumann KM84 microphones in Rosen Concert Hall at the Appalachian State University School of Music. Both microphones were processed through a Studio Technologies preamp and fed directly into a Digital Audio Tape (DAT) machine. “La Rosa” was edited on Pro Tools at the University of North Carolina at Asheville recording studios in December of 1996 by Michael Ridenour. The album was mastered at Sony Music in New York and released on the Cala Vista record label in 1997.